Skip to content
Thursday, October 8, 2026
Harbor Network delivers the latest maritime industry news, …

Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

Game is in British and Irish cinemas from November 17.

The writer

Ernest Peck

Maritime journalist with over a decade of experience covering North American ports and shipping trends.

Harbor Network

Type to search articles.